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Post by dimlitcandle on Jun 5, 2017 13:34:13 GMT -6
Thanks, everyone!
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Post by dimlitcandle on Dec 18, 2016 15:37:29 GMT -6
Sorry I can't do more at the moment. I'm really hoping this panel thing doesn't fall through for me, but I'm losing heart to do it. Also it seems you guys get your feet in the water faster than I do, and that's perfectly ok. My health and work tend to tie me down regardless. It's a lost cause, I just try to get myself to be more social and promote something I love. Looks like I've failed to do that. It's OK, dimlit, don't worry about it. If you're dealing with a lot of stuff right now or have a lot of other responsibilities, we understand. The Army of the Night takes care of its own, so don't feel even a bit bad about concentrating on yourself for as long as you need to. We'll cover for you, and we'll be more than happy to see you again when you've gotten everything you need all settled Thank you. I have notified the staff of the panel being canceled. I didn't expect I would be able to handle it, anyway. The ball is in the Army's court. I was just trying to help the game have some publicity and be social for once. But not everything happens like we want it to. Brainiac congrats on being more efficient than me!
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Post by dimlitcandle on Oct 23, 2016 1:30:08 GMT -6
Sounds good, dimlitcandle . Feel free to send any of us whatever you're prepping for the actual presentation for comment, critique, and potential application to other planned events like MAGFest or A&G Con. Thank you! Unfortunately, I will not be able to travel that far. I will have to rely on the rest of the Army to put panels elsewhere. I wish I had the kind of money it took to go to more conventions.
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Post by dimlitcandle on Oct 13, 2016 15:36:02 GMT -6
So soon!! I'm so happy. Check on the official Facebook and Kickstarter (that Mike posted) for more info, as always. Preorders are out! Just scroll through the Facebook page for variant covers. Too bad I can't go to NYCC to get the preview issue...(way too far!!) Also, Chibi VHD. Argh, . So glad I backed this project!!
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Post by dimlitcandle on Oct 2, 2016 19:10:44 GMT -6
I have been rereading some things on alchemy and looking over what Canopus wrote, I have some more revelations. The Red King [Rubedo/Gebel/Animus?] and White Queen [Albedo/Miriam/Anima?] are alchemical allegories, and their union represents the process of uniting opposites to create a greater, fully unified product of that union. This particular image comes from the Rosarium Philosophorum, or the Rosary or the Philosophers. It was published in 1550 and included twenty illustrations. Gender Divisions: Western thought has long identified a wide variety of concepts as being masculine or feminine. Fire and air are masculine while earth and water are feminine, for example. The sun is male and the moon is female. These basic ideas and associations can be found in multiple Western schools of thought. So the first and most obvious interpretation is that the Red King represents masculine elements while the White Queen represents female ones. Here they stand on a sun and moon, respectively. In some images, they are also flanked with plants bearing suns and moons on their branches. The Chemical Marriage: The union of Red King and White Queen is often called the chemical marriage. In illustrations, it is depicted as courtship and sex. Sometimes they are garbed, as if just starting to be brought together, offering each other flowers. Sometimes they are naked, preparing for consummation of their marriage that will eventually lead to an allegorical offspring, the Rebis (from the Latin res bina, meaning dual or double matter). While reading the Wikipedia article on the Philosopher's Stone (https://en.wikipedia.org/wiki/Philosopher%27s_stone) I found this: " Middle Ages The 8th-century alchemist Jabir ibn Hayyan (Latinized as Geber) analyzed each classical element in terms of the four basic qualities. Fire was both hot and dry, earth cold and dry, water cold and moist, and air hot and moist. He theorized that every metal was a combination of these four principles, two of them interior and two exterior. From this premise, it was reasoned that the transmutation of one metal into another could be affected by the rearrangement of its basic qualities. This change would presumably be mediated by a substance, which came to be called al-iksir in Arabic (from which the Western term elixir is derived). It is often considered to exist as a dry red powder (also known as al-Kibrit al-Ahmar الكبريت الأحمر—red sulphur) made from a legendary stone—the philosopher's stone.[6][7] Jabir's theory was based on the concept that metals like gold and silver could be hidden in alloys and ores, from which they could be recovered by the appropriate chemical treatment. Jabir himself is believed to be the inventor of aqua regia, a mixture of muriatic (hydrochloric) and nitric acids, one of the few substances that can dissolve gold (and which is still often used for gold recovery and purification)" Sulfur and Mercury: Descriptions of alchemical processes often describe the reactions of sulfur and mercury. The Red King is sulfur, the active, volatile and fiery principle, while the White Queen is mercury, the material, passive, fixed principle. Mercury has substance, but is has no definitive form on its own. It needs an active principle to shape it. The lettering here has the King saying, in Latin, "O Luna, let me be thy husband," reinforcing the marriage imagery. The Queen, however, says "O Sol, I must submit to thee." This would have also been standard sentiment in a Renaissance marriage, but it also reinforces the nature of the passive principle. Activity needs material to take physical form, but passive material needs definition to be anything more than potential. The Dove: A person is comprised of three separate components: body, soul and spirit. The body is material and the soul spiritual. Spirit is a sort of bridge that connects the two. Here the dove (a common symbol of the Holy Spirit in Christianity, in comparison to God the Father (soul) and God the Son (body) offers a third rose, attracting both lovers together and acting as a sort of mediator between their contrasting natures. Alchemical Processes: The bringing together of the Red King and White Queen is sometimes described as reflecting the processes of both Albedo and Rubedo. Now. . . How does this all come back to Gebel? The three alchemical stages preceding Rubedo (Gebel) were: Nigredo (blackness) which represented putrefication and spiritual death. It is a subjectively experienced process brought about by the subject's painful, growing awareness of his shadow aspects'. It could be described as a moment of maximum despair, that is a prerequisite to personal development. As individuation unfolds, so 'confrontation with the shadow produces at first a dead balance, a standstill that hampers moral decisions and makes convictions ineffective or even impossible...nigredo, tenebrositas, chaos, melancholia'. Albedo (whiteness/Miriam) which represented purification. The alchemist undertakes a purification in Albedo, which is literally referred to as ablutio – the washing away of impurities. In this process, the subject is divided into two opposing principles to be later coagulated to form a unity of opposites or coincidentia oppositorum during Rubedo. Citrinitas (yellowness) literally referred to "transmutation of silver into gold" or "yellowing of the lunar consciousness." In alchemical philosophy, Citrinitas stood for the dawning of the "solar light" inherent in one's being, and that the reflective "lunar or soul light" was no longer necessary.; the solar dawn or awakening. Then Rubedo the fourth and final major stage in their magnum opus. Rubedo signalled alchemical success, and the end of the great work. But one thing still makes me wonder... The Rebis. After one has gone through the stages of putrefaction (Nigredo) and purification (Albedo), separating opposing qualities, those qualities are united once more in what is sometimes described as the divine hermaphrodite, a reconciliation of spirit and matter, a being of both male and female qualities as indicated by the male and female head within a single body. The sun and moon correspond to the male and female halves, just as the Red King and White Queen are similarly associated. The Rebis image appeared in the work Azoth of the Philosophers by Basil Valentine in 1613. During the 18th century it was suggested that the author of the works attributed to Basil Valentine was Johann Thölde ( Johannes!), a salt manufacturer in Germany who lived roughly 1565–1624. Azoth was considered to be a universal medication or universal solvent sought in alchemy (similar to another alchemical idealized substance, alkahest, that like azoth was the aim, goal and vision of many alchemical works). Its symbol was the Caduceus, and so the term, while originally a term for an occult formula sought by alchemists much like the philosopher's stone, became a poetic word for the element mercury. The word Azoth is also related to the Ain Soph (ultimate substance) of the Kabbalah(Johannes again). In his masterwork The Secret Teachings of All Ages. Manly P. Hall explained this connection: "The universe is surrounded by the sphere of light or stars. Beyond that sphere is Schamayim (שמים), the Hebrew word for 'heaven', who is the Divine Fiery(Gebel) Water(Miriam), the first outflow of the Word of God, the flaming river pouring from the presence of the eternal mind. Schamayim, who is this fiery Androgyne, divides. His Fire becomes Solar fire and his Water becomes Lunar water in our universe. Schamayim is the Universal Mercury or Azoth -- the measureless spirit of life. That original spiritual fiery water comes through Edem ("vapor" in Hebrew) and pours itself into the four main rivers of the four Elements. This comprises the River of Living Water—the Azoth—or fiery mercurial essence, that flows out from the throne of God and Lamb. In this Edem (vaporous essence or mist) is the first or spiritual Earth, the incomprehensible and intangible dust out of which God formed Adam Kadmon, the spiritual body of man, which must become fully revealed through time." Did Johannes lead the Alchemists to create Gebel and Miriam in their new "cursed" bodies? Johannes must be the one who is Gebel's Origin! I was gonna post it, but I wanted to let you have fun figuring it out like I did~ This, however, I'm not gonna let you have fun with though. It's so beautiful. I believe 緋月エリ was right when Dippel is brought up.
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Post by dimlitcandle on Sept 29, 2016 1:33:32 GMT -6
Sorry I can't do more at the moment. I'm really hoping this panel thing doesn't fall through for me, but I'm losing heart to do it. Also it seems you guys get your feet in the water faster than I do, and that's perfectly ok. My health and work tend to tie me down regardless. It's a lost cause, I just try to get myself to be more social and promote something I love. Looks like I've failed to do that. It's OK, dimlit, don't worry about it. If you're dealing with a lot of stuff right now or have a lot of other responsibilities, we understand. The Army of the Night takes care of its own, so don't feel even a bit bad about concentrating on yourself for as long as you need to. We'll cover for you, and we'll be more than happy to see you again when you've gotten everything you need all settled Doing my best to get back on track for the sake of the Army of the Night. Like I said, I'm trying my best. I've gotten myself prepped a little for the con, I have the passes for myself (finally) and have prepared the hotel stay, not official for the hotel reservations yet though.
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Post by dimlitcandle on Sept 12, 2016 10:39:55 GMT -6
I always have more, this time for Gebel.
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Post by dimlitcandle on Sept 12, 2016 9:37:18 GMT -6
Hitboxes for the Morte enemies don't always register Miriam's attacks. If she is too close or too far away, they will completely ignore her, but can still hit her with their attacks. A similar effect happens with the squid enemies as well (can't rmember their name). This was the problem I was having, too. Confirmed during my test of the demo yesterday.
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Post by dimlitcandle on Sept 12, 2016 9:11:02 GMT -6
I'm one of the few who thinks there will be an entirely new character, an NPC, that will be very Alucard-like. I would like to think they would throw the ball back to Double Fine and make a reference to their "Organist" character from the Brutal Legend series...but that's just a hope of mine. Wouldn't be too bad if any NPC resembled him. I mean, the Bloodstained characters already have vibes of past Castlevania characters. Also, Alucard is an Expy of several other characters from other series in a lot of ways, so the concept of the "half-vampire, hunter of the night, son of Dracula" is totally public domain.
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Post by dimlitcandle on Sept 12, 2016 0:24:44 GMT -6
I was going to post that myself. Every negative comment or "this is just like x thing!" has a reply that corrects against it with a bunch of likes. dimlitcandle It's the power of LOVE! okay. Now that is out of my system... I'm okay with the delay and for a number of reasons. 1) I knew from the get-go that March 2017 was improbable even just for making the base game. Delays always (not could) happen. 2) Adding the extra year is a safe move. Given how we Zerg rushed through all the tiers, sorry Iga and team for putting thousands of hours of work on your plate. 3) I can actually take my time playing Persona 5 when it comes out in February. As a 9-to-5er, marathoning a J-RPG is just impossible. Take all the time you need Iga. Love, love, loooove~ It destroys negativity! Speaking of love, I have no complaints about the delay and I agree with you. I have time for Vampire Hunter D's new stuff, now. Comic book, animated series...yesssss!! Gotta love that co-fandom! Poor Iga, though. He's making a game... and he's a fanboy of that series, too!!
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Post by dimlitcandle on Sept 12, 2016 0:18:01 GMT -6
IT HAS BEGUN. DARK MIRRIAM IS HERE. (nsfw version) I am not interested in R34, I just arrived to say "It is here, just as I expected it would be too soon..." To the real point! The cutesy Miriam that Natsume drew in the different style is adorable!! (I want to see all of the characters in that style!!)
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Post by dimlitcandle on Aug 18, 2016 20:14:42 GMT -6
Sorry I can't do more at the moment. I'm really hoping this panel thing doesn't fall through for me, but I'm losing heart to do it. Also it seems you guys get your feet in the water faster than I do, and that's perfectly ok. My health and work tend to tie me down regardless. It's a lost cause, I just try to get myself to be more social and promote something I love. Looks like I've failed to do that.
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Post by dimlitcandle on Aug 18, 2016 17:50:23 GMT -6
Maria the Jewess (or Maria Prophetissima, Maria Prophetissa, Mary Prophetissa, Miriam the Prophetess) is a figure appearing first in the works of the Gnostic Christian writer Zosimos of Panopolis.
Zosimus’ sources are not clear, and may be developed from Miriam, sister of Moses, but on the basis of his comments she is estimated to have lived anywhere between the first and third centuries AD. She is attributed with the invention of several kinds of chemical apparatus and is considered to be the first nonfictitious alchemist in the Western world.
The primary source for the existence of a Maria the Jewess in the context of alchemy is Zosimos of Panopolis, who wrote in the 4th century the oldest alchemy books known. Zosimos describes several of her experiments and instruments. In his writings, Mary is almost always mentioned as having lived in the past and being one of the “sages.”
George Syncellus, a Byzantine chronicler of the eighth century, presents Mary as a teacher of Democritus, whom she met in Memphis, Egypt at the time of Pericles. The tenth century Kitāb al-Fihrist of Ibn al-Nadim cites her as one of the fifty-two most famous alchemists, knowing the preparation of the caput mortuum (nigredo, or black phase). The Roman philosopher Morieno called her “Mary the Prophetess” and the Arabs knew her as the “Daughter of Plato”, a name that in Western alchemical texts was reserved for the white sulfur.
In the Alexander book (2nd part) of the Azerbaijani Persian poet Nizami, Maria, a Syrian princess, visits the court of Alexander the Great, and learns from Aristotle (384 BC – 322 BC), among other things, the art of making gold.
Though none of her writings have survived, quotes credited to her are found in hermetic writings. The most notable of those quotes is found in an extract made by an anonymous Christian philosopher, named The Dialogue of Mary and Aros on the Magistery of Hermes, in which are described and named operations that would later be the basis of Alchemy, leukosis (whitening) and xanthosis (yellowing). One was made by grinding and the other by calcination. This work describes for the first time an acid salt and other acids that can be identified with acetic acid. There are also several recipes for making gold, even from root vegetables such as the Mandragora.
Several cryptic alchemical precepts have been attributed to Maria Prophetissa. She is said to have spoken of the union of opposites:
Join the male and the female, and you will find what is sought.
The following was known as the Axiom of Maria:
One becomes two, two becomes three, and out of the third comes the one as the fourth.
Psychologist Carl Jung used this as a metaphor for the process of wholeness and individuation.
Related Apparatus
Mary is said to have discovered hydrochloric acid, though this is not accepted by most science texts.
Maria, alongside Agathodaimon, pseudo-Democritus and Hermes Trismegistus, has also been mentioned by Zosimos of Panopolis in his descriptions pertaining devices such as the tribikos, the kerotakis and the bath, although her alleged contributions are disputed and not clear.
Tribikos
The tribikos was a kind of alembic with three arms that was used to obtain substances purified by distillation. No one knows for sure whether Mary the Jewess was its inventor, but Zosimos credits the first description of this instrument to her. In her writings (quoted by Zosimos), she recommends that the copper or bronze used to create the tubes be the thickness of a frying-pan, and the joint between these tubes and the still-head be sealed with flour-paste.
Kerotakis
The kerotakis is a device used to heat substances used in alchemy and collect vapors. It is an airtight container with a sheet of copper suspended on the top. When working properly, all joints are in a tight vacuum. The use of such sealed containers in the Hermetic arts led to the term “hermetically sealed”. The mystical kerotakis was a reconstitution of the formation process of gold that was going on in the bowels of the earth.
Later, this instrument was modified by the German Franz von Soxhlet in 1879 to create the extractor that bears his name, Soxhlet extractor.
Bath
Her name survives in the invention of the water-bath or bain-marie, extensively used in chemical processes in which gentle heat is necessary. This term was introduced by Arnold of Villanova in the fourteenth century AD. From here. Looks like the main trio are all Alchemists. Ahhh!! Also you're welcome for my boredom for reviving an old thread. More misc. Alchemical stuff you can find here, that might show you where the plot is headed and that Miriam could be a force of destruction if she wanted to is confirmed in a way. Bad ending?
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Post by dimlitcandle on Aug 5, 2016 2:28:02 GMT -6
This. This is the reason I've been gone from the forums, lol. Besides work. Can't neglect a parent fandom! (In a great way, it's connected to ours by Yoshitaka Amano now!! But it probably was beforehand because of Castlevania/Ayami Kojima, too. She did art of one of the Vampire Hunter D spinoff novels, Greylancer. The more you know!) Also LeoLeWolferoux , it more than just resembles Castlevania. It shaped it, in a way. After backing the comic and watching the VHD: Bloodlust movie, I can see where a lot of inspiration came from. Castlevania developers were big fanboys of the series, and I find it adorable. Mike has said before that Alucard was inspired by D, and he's right. D can be seen as Alucard's equal or even alternate universe brother. Not only Iga took inspiration from VHD either...several Castlevania games besides the Igavanias have plots/characters similar to the novels. I've read the synopsis of a lot of the novels, I just can't wait to get my hands on them. Also getting my hands on the new Resurrection TV series coming up, and the comic which is the topic here. Who is excited to see some of D's backstory? I'm also excited for that Pathfinder VHD add-on! I'll have to go get myself a set for the occasion, I've played the game before and love it. Attachments:
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Post by dimlitcandle on Aug 5, 2016 1:44:13 GMT -6
Probably wondering why I've been gone for so long? I got hired for several awesome jobs with an awesome boss.
I am now a book editor for multiple books of the author's and I'm starting on my voicework...ahh, so taxing. I can't wait to record. I need to practice my talking a lot more...reading for several audiobooks is gonna be tough business...but I'm gonna be a voiceactor!! Finally!! I feel like I've struck gold or something.
But at the same time, I stressed myself out to the point of having health problems. I just needed more sleep though, everything cleared up even though I'm going to the doctor's office later. I'll explain everything to them.
Also I may or may not have been into the Vampire Hunter D fandom...totally have, I backed the Kickstarter and watched Bloodlust and I'm hooked, help me!!
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Post by dimlitcandle on Jun 24, 2016 15:29:46 GMT -6
Welcome to all new members of the Army of the Night! The population's getting pretty big, finally we have a proper army! Thank goodness that Castle is nearly endless.
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Post by dimlitcandle on Jun 24, 2016 14:45:39 GMT -6
I do not have enough memory on my laptop to run Bloodstained, so I am assembling my new PC to prepare to play it.
I have one question though. Since I downloaded it to my laptop, I shouldn't have any trouble re-downloading the demo to my new PC via Steam, correct? If anyone can aid me in setting up the correct options to do this efficiently, I would greatly appreciate the help.
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Post by dimlitcandle on Jun 24, 2016 14:40:32 GMT -6
It is a learned behavior because of how things have been culturally lately. I imagine many just see the post count or that the topic has come up again at all and put their reply in. This is the kind of thing that made the last topic on this sort of thing hard to deal with - there's less back and forth/exchange of ideas as there are posters more or less shouting out at who/whatever (if anything) will shout back. We could be talking about the appearance/texturing of the boss' area in question, their physics and so on, and something like that could actually go in the E3 feedback thread honestly. The initial post by nature instead though just said they were distracting/pointless without so much giving some kind of input like that, so...here we are in a separate thread with this exchange we have now. Personally I think the boss looked totally gross, slimy, engorged, with tentacle squick and all. The fact it let out this massive roar and had belched out some Seama prior was also really awesome...also the fact it has an angler fish + mermaid appearance yet its a male demon covered in a coat of goop, its just...invoking a total feeling of "eww!!" in me. In the end, I laughed because this is the mild calm before the storm, I expect the bosses are going to get progressively more intimidating. I can't wait to fight him when my PC gets fixed next week.
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Post by dimlitcandle on Jun 24, 2016 14:12:37 GMT -6
i'm up for them to make boss like they want..and i'm little opinion i hope in the return of the evercharming succubus too Give me some Incubi. Miriam's for all we know--a heterosexual female. An Incubus here or there would ruffle up her feathers! Aside from that, here is a quote from my post in the Bloodstained group on Facebook about the subject:
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Post by dimlitcandle on Jun 17, 2016 15:28:04 GMT -6
Awesome! Totally keeping up with this here. I will occasionally get on the voice chat.
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